THE SECOND LIFE OF EVERYDAY OBJECTS IN BARRY FELDMAN’S WORK

δείτε την πρωτότυπη σελίδα τεκμηρίου
στον ιστότοπο του αποθετηρίου του φορέα για περισσότερες πληροφορίες και για να δείτε όλα τα ψηφιακά αρχεία του τεκμηρίου*



THE SECOND LIFE OF EVERYDAY OBJECTS IN BARRY FELDMAN’S WORK (EN)

Kertemelidou, Paraskevi
Warner, Randall

info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
Peer-reviewed Article (EN)
Researche (EN)

2022-01-16


The following text makes special reference to the transfer of common industrial objects from the category of utility or even waste to autonomous works of art. The concept and image of the industrial object as garbage, by-product or as a thing without value, has occupied the artists of Cubism, Dada, Pop Art, Fluxus and Conceptual Art more recently (Cornell, Schwitters, Duchamp, Arman, Rauschenberg, Oldenburg, among many others). Barry Feldman, a New York artist and art historian, discovered through the permanent collection of MoMA avant-garde art and when he moved to Greece his New York experience remained alive for his work. Every industrial object finds its place in some of his three-dimensional compositions which he categorizes as boxes, portables, portholes and rockets. In wooden boxes, old or made by him, the worthless objects of our world are recycled and return to their autonomous existence. (EN)


avant-garde art 2 (EN)
readymade 3 (EN)
common object 1 (EN)
Exhibition/Museum Design and Material Culture with an emphasis on every day industrial object (EN)
conceptual art4 (EN)

Αγγλική γλώσσα

Faculty of Applied Arts and Culture of the University of West Attica (EN)


2732-6926
Design/Arts/Culture; Vol. 2 (2021) (EN)

Copyright (c) 2022 Design/Arts/Culture (EN)




*Η εύρυθμη και αδιάλειπτη λειτουργία των διαδικτυακών διευθύνσεων των συλλογών (ψηφιακό αρχείο, καρτέλα τεκμηρίου στο αποθετήριο) είναι αποκλειστική ευθύνη των αντίστοιχων Φορέων περιεχομένου.