NON-DESTRUCTIVE INVESTIGATION OF PAINTINGS ON DIFFERENT SUBSTRATES. METHODOLOGY, ACHIEVEMENTS AND LIMITATIONS.

δείτε την πρωτότυπη σελίδα τεκμηρίου
στον ιστότοπο του αποθετηρίου του φορέα για περισσότερες πληροφορίες και για να δείτε όλα τα ψηφιακά αρχεία του τεκμηρίου*



NON-DESTRUCTIVE INVESTIGATION OF PAINTINGS ON DIFFERENT SUBSTRATES. METHODOLOGY, ACHIEVEMENTS AND LIMITATIONS. (EN)

Moutsatsou, Anna
Banou, Penelope
Alexopoulou, Athena
Kaminari, Agathi

info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
Peer-reviewed Article (EN)

2022-01-16


Today, non-destructive testing includes diagnostic methods that provide significant information for art historians, conservators and researchers. The quick in situ application, the absence of expensive consumables, the inspection of entire surfaces and the ability for mapping make these methods attractive to users. Additionally, they provide the advantage of examining large areas of work of art, supporting a multidisciplinary approach, documentation, analysis and protection of visual arts’ works. The case studies presented here involve the application of methodology on paintings on wood, canvas and paper substrate, while the constraints and particular requirements that different structures and special conditions dictate are discussed. Through these case studies the authors intend to highlight that the application of modern non-destructive methods offer many possibilities to the end user, making feasible the revelation of the painting technique, the characterization of the materials and supporting the decision making for conservation. (EN)


paper support (EN)
conservation (EN)
Non-destructive imaging (EN)
spectral imaging (EN)
Non-destructive testing (EN)
icons (EN)
easel paintings (EN)

Αγγλική γλώσσα

Faculty of Applied Arts and Culture of the University of West Attica (EN)


2732-6926
Design/Arts/Culture; Vol. 2 (2021) (EN)

Copyright (c) 2022 Design/Arts/Culture (EN)




*Η εύρυθμη και αδιάλειπτη λειτουργία των διαδικτυακών διευθύνσεων των συλλογών (ψηφιακό αρχείο, καρτέλα τεκμηρίου στο αποθετήριο) είναι αποκλειστική ευθύνη των αντίστοιχων Φορέων περιεχομένου.