Is it possible that capitalism and photography share more than just a historical timeline, but also an inherent connection in their modes of operation? Does a comprehensive understanding of the origins of photography necessitate an exploration of the imperial violence and rights that underlie its inception? To what extent can photography, a medium often intertwined with capitalism's alluring influence, be effectively employed to conceptualize and construct alternative image-worlds? Can it serve as a catalyst for inspiring movements aimed at fostering greater freedom and equality across societal boundaries? In transcending its conventional role as a mere recording tool, can the camera assume a transformative role in expanding freedom and equality within society? These are among the critical inquiries posed by this thought-provoking book, compelling readers to engage in a discerning examination of the intricate connections between image production, economic systems, and societal metamorphosis.
(EN)
Humanities and the Arts ▶ Arts (arts, history of arts, performing arts, music) Architectural design
(EN)
Photography
(EN)
Capitalist realism
(EN)
capitalism
(EN)
English
Faculty of Applied Arts and Culture of the University of West Attica
(EN)
