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The Rapture at the World’s End: Non-optional Choice and Libertarian Idealism in New Media

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National and Kapodistrian University of Athens - Department of English Language and Literature   

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The Rapture at the World’s End: Non-optional Choice and Libertarian Idealism in New Media (EN)
Joyce, Stephen
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
Peer-reviewed Article (EN)
2014-05-01
Central to the experience of new media is the idea of interactivity, even though this dovetails problematically with both arguments for grassroots agency and neo-liberal economic philosophies alike. This paper examines the 2007 computer game Bioshock in relation to its thematic employment of the ideals of market libertarianism as depicted in the novels of Ayn Rand and its strategic use and withholding of agency at critical moments in the gameplay. It argues that Bioshock not only uses the techniques of traditional narrative forms to address the culturally significant issue of the impossible alliance between traditionalism and libertarianism under a conservative banner but also uses the interactive medium to generate a genuinely new aesthetic experience in which the logic of free choice in the narrative, ideology, and medium are simultaneously brought into juxtaposition. This moment marks a landmark development in digital narrative and opens new possibilities for the art form. (EN)
Synthesis
English
National and Kapodistrian University of Athens (EN)
1791-5155
Synthesis: an Anglophone Journal of Comparative Literary Studies; No. 6 (2014): Acting (on) the Text: the Case of New Media; 73-91 (EN)
Copyright (c) 2014 Stephen Joyce (EN)
https://creativecommons.org/licenses/by/4.0
National and Kapodistrian University of Athens - Department of English Language and Literature
Synthesis
Articles



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